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The film sought to portray a relatively unknown and isolated rural world and, through a highly politicized discourse, affirmed the genuineness of “folk culture.” Representative of the new documentary film movement that developed in Portugal after the revolution, the movie encouraged the local retrieval of the Caretos tradition. A ritual that seemed to be doomed by the conjoined impact of emigration, the colonial war and the crisis of agriculture was thus brought back to life. - Paulo Raposo
Director · 1 films with wallpapers
Noémia de Freitas Delgado (São Pedro da Chibia, June 7, 1933 – Lisbon, March 2, 2016) was a Portuguese filmmaker from the New Cinema era, who used direct cinema techniques and practiced visual anthropology in both fiction and documentary works. Noémia was born in São Pedro de Chibia in Angola and was daughter of Luís Delgado and Judite da Conceição de Freitas.
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