
The Red Filter is Withdrawn.

If you look into the entrance of one of the huge caves on the Korean island of Jeju, it looks like a camera lens. If you walk into the cave, it looks like a screen, a rectangle showing clouds and white light, just like a film. Director Kim Minjung delves into the bloody history of Jeju, where tens of thousands were killed in a massacre in 1948. The camera follows the traces in the landscape, sometimes transformed by a strident, distance-creating red light, accompanied by a commentary by avant-garde filmmaker Hollis Frampton. Film as a means to address history and its taboos.

Director · 1 films with wallpapers
Kim Minjung studied Visual Communication Design at Hongik University, Seoul, and earned an MFA in Film and Video from the California Institute of the Arts. Her work has screened at international film festivals and media venues. With her films (including Australian Paper, FOOTAGE, and (100ft)), she has received awards such as Best Ex-is Award, Nemaf Best Korean Propose, and Tom Berman Award for Mos…
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