
A River Holds a Perfect Memory

Bodies of water are intervened upon, moved, disrupted and exploited. Labouring bodies experience similar pressures from the same forces of power and extraction. Distant communities – Northern England and Jamaica – share similar histories of manipulation and oppression whose record is kept in the living memory of its waterways. But water, like people, can find a way to exert its own will.
Director · 1 films with wallpapers
Hope Strickland is an artist filmmaker and visual anthropologist from Manchester, UK. Her practice is concerned with archival response and postcolonial ecologies and her work has been screened internationally at festivals such as Athens Ethnographic Film Festival, Open City Documentary Festival and the 59th New York Film Festival.
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