Are Schnitt A-A' wallpapers free to download?

Yes. Every Schnitt A-A' backdrop on Moviely is free to preview and download for personal desktop or mobile wallpaper use.

What resolution are Schnitt A-A' wallpapers?

Schnitt A-A' wallpapers are available in HD and original quality, with smart resolution suggestions based on your display.

Can I preview Schnitt A-A' wallpapers on Mac or iPhone?

Yes. Open any Schnitt A-A' wallpaper in Mac Mode to preview it on a desktop or iPhone lock screen before downloading.

How do I download a Schnitt A-A' wallpaper?

Open the Schnitt A-A' page, pick a backdrop, choose your preferred resolution (HD, Full HD, or Original), and click Download.

When did Schnitt A-A' released?

Schnitt A-A' released in 2012. Moviely hosts cinematic wallpapers captured from the movie's official backdrop imagery.

Who directed Schnitt A-A'?

Sofie Thorsen directed Schnitt A-A'.

How long is Schnitt A-A'?

Schnitt A-A' has a runtime of 5min.

Where can I find cinematic Schnitt A-A' desktop backgrounds?

Moviely lists 0 free Schnitt A-A' desktop backgrounds pulled from official widescreen backdrop art.

Schnitt A-A' Wallpapers (4K) — Download Free | Moviely

My Moodboard

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0 textless landscape wallpapers · click any to open Mac Mode

20125min

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1 portrait wallpaperfor phone & vertical screens · tap to preview on iPhone

1700×2550

2012

Director

Sofie Thorsen

Last updated: June 10, 2026

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Moviely has 0 free Schnitt A-A' cinematic wallpapers available to browse, preview in Mac Mode, and download.

Wallpaper2012

The leading role in Schnitt A-A’ is played by the architecture of the open-air cinema in the Slovak National Gallery, conceived in the 1960s. An architectural projector illuminates the brick-built film screen in the middle of the space. But there is no film and no audience. The numerous and varied perspectives, surfaces and materials in the space are the focus of the camera. The film begins outside the perforated brick wall, which separates the cinema from public space. The wall affords glimpses into the space, divides it from the city and renders the projection space ambiguous. The space becomes visible, yet remains inaccessible. Typical for its area and its time, it reminds one also of a different climatic zone, a different modern age in a faraway place. Once inside the camera step by step goes more into the details of the space and the elaborate surfaces, revealing the performative and graphic character of the architecture.

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