Are Film Quartet/Polyframe wallpapers free to download?

Yes. Every Film Quartet/Polyframe backdrop on Moviely is free to preview and download for personal desktop or mobile wallpaper use.

What resolution are Film Quartet/Polyframe wallpapers?

Film Quartet/Polyframe wallpapers are available in HD and original quality, with smart resolution suggestions based on your display.

Can I preview Film Quartet/Polyframe wallpapers on Mac or iPhone?

Yes. Open any Film Quartet/Polyframe wallpaper in Mac Mode to preview it on a desktop or iPhone lock screen before downloading.

How do I download a Film Quartet/Polyframe wallpaper?

Open the Film Quartet/Polyframe page, pick a backdrop, choose your preferred resolution (HD, Full HD, or Original), and click Download.

When did Film Quartet/Polyframe released?

Film Quartet/Polyframe released in 2008. Moviely hosts cinematic wallpapers captured from the movie's official backdrop imagery.

Who directed Film Quartet/Polyframe?

Antoni Pinent directed Film Quartet/Polyframe.

How long is Film Quartet/Polyframe?

Film Quartet/Polyframe has a runtime of 13min.

Where can I find cinematic Film Quartet/Polyframe desktop backgrounds?

Moviely lists 0 free Film Quartet/Polyframe desktop backgrounds pulled from official widescreen backdrop art.

Film Quartet/Polyframe Wallpapers (4K) — Download Free | Moviely

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0 textless landscape wallpapers · click any to open Mac Mode

200813min

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Vertical backdrops

1 portrait wallpaperfor phone & vertical screens · tap to preview on iPhone

Film Quartet/Polyframe vertical backdrop 1

500×750

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2008

Director

Antoni Pinent

Last updated: June 11, 2026

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Moviely has 0 free Film Quartet/Polyframe cinematic wallpapers available to browse, preview in Mac Mode, and download.

Wallpaper2008

FILM QUARTET / POLYFRAME is conceived as a small cinematographic bomb attempting to question the established definition of frame as the minimum unit of (cinematographic) time by dynamiting it in four fragments. A step further in the so-called sub-genre practice of found footage film – recycled material – is also put forward for consideration in this project. The appropriationism applied in this work makes use of material found in Hollywood cinema (Singin’in the rain, Stanley Donen & Gene Kelly, 1952); Pink Panther; Buster Keaton; etc., the first avant-garde period (Un chien andalou, Luis Buñuel & Salvador Dalí, 1929) and American experimental film (Wavelength, Michael Snow, 1966-1967). Such method makes possible, therefore, to maintain image ecology while it provides an analysis of the history of cinema. — AP