Are PR1NC3S4 wallpapers free to download?

Yes. Every PR1NC3S4 backdrop on Moviely is free to preview and download for personal desktop or mobile wallpaper use.

What resolution are PR1NC3S4 wallpapers?

PR1NC3S4 wallpapers are available in HD and original quality, with smart resolution suggestions based on your display.

Can I preview PR1NC3S4 wallpapers on Mac or iPhone?

Yes. Open any PR1NC3S4 wallpaper in Mac Mode to preview it on a desktop or iPhone lock screen before downloading.

How do I download a PR1NC3S4 wallpaper?

Open the PR1NC3S4 page, pick a backdrop, choose your preferred resolution (HD, Full HD, or Original), and click Download.

When did PR1NC3S4 released?

PR1NC3S4 released in 2021. Moviely hosts cinematic wallpapers captured from the movie's official backdrop imagery.

Who directed PR1NC3S4?

Raúl Perrone directed PR1NC3S4.

Who stars in PR1NC3S4?

PR1NC3S4 stars Débora Nishimoto, Paulo Pécora, Matías Tamanaha, Juan Manuel Soria.

How long is PR1NC3S4?

PR1NC3S4 has a runtime of 1h 7min.

What is the rating of PR1NC3S4?

PR1NC3S4 holds an average audience rating of 4.0 out of 10 across 1 votes.

PR1NC3S4 Wallpapers (4K) — Download Free | Moviely

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20211h 7min

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2021

Director

Raúl Perrone

Last updated: June 10, 2026

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Moviely has 0 free PR1NC3S4 cinematic wallpapers available to browse, preview in Mac Mode, and download.

Wallpaper2021★ 4.0

In his new cinematic adventure, Raúl Perrone makes a new incursion into the Japanese out of Ituzaingó in order to shape the variations of a story that revolves around a woman who cuts dead people’s hair, a samurai with an intolerable mission, a nosy burglar, a feudal lord on the verge of insanity and a giant metal fish. The film is freely inspired in the original version of Rashomon –written by Ryūnosuke Akutagawa– and, as usual in his filmography since P3ND3JO5 (2013), Perrone blends different elements from classical film; in this case, visible ghosts from Kurosawa’s cinema and certain aspects of Japan’s traditional culture melt with nightmarish distortions and machinistical irruptions, typical of a future that may never come. “The avant-garde is in the past” he once said in an interview. In his reimagining of film history, Perrone again finds an inexhaustible field of expression.

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Ituzaingó v3rit4

★ 6.0 · 2019

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